1. Please tell us more about yourself, your background, education and what you do as an artist.
I’m 22 and a recent college graduate from Chapman University with a BFA in Studio Art. I was born and raised in Orange County California as well as in Baja Mexico. It’s these two places that have, and continue to shape the type of art that I make. Most of my work is done by painting on velvet; a form of art that is commonly labeled as “low brow” and “kitsch.” What I try to do is find ways to combine the touristy kitsch forms of art and the traditional styles that I learned from studying the old masters. In my artwork, and in general, I like to point out the irony in things that people wouldn’t take the time to notice. I currently live in Yorba Linda and spend my time working on my artwork and helping out at the Orange County Museum of Art. I have shown my art in both the US and in Europe, and have had the pleasure of being a part of two performance/happening pieces; one at the Getty and the other at the Orange County Museum of Art for the 2008-09 California Biennial.
2. How long have you been an artist?
I come from a very large and creative family, my mother is a doll artist and my sisters are all very talented when it comes to the arts so I guess it runs in the family. Having been exposed to art my whole life, it seemed only natural to pursue it as a career choice for myself.
3. Where do you get your daily inspiration from?
Most of my inspirations come from my lifestyle contradictions of having lived in wealthy Orange County as well as in tourist dependent Baja Mexico. Themes such as wealth, class, and appearance are all very common. I also love pointing out the irony in things; such as with the Chapman Donor paintings. I did those because I felt it was rather Ironic that there were all these portraits of these wealthy donors who I was supposed to respect and be grateful for, and because the portraits were done so poorly I couldn’t help but notice the negative things in the images. When I should have been thinking about their dedication to academics and willingness to supply me with a classroom to paint in, instead I noticed that the light in the photograph made their hair look purple and their sweaters creepy. Its a sad realization that I knew I shared with my fellow classmates, so I decided to heighten that creep factor by painting them as I saw them on black velvet. Combining again my Mexican influences, the black velvet, with more traditional art styles, classical portraiture.
4. Who are your top three biggest influences?
I guess that Glenn Brown is a major influence of mine. He’s a contemporary painter and I remember seeing his paintings for the first time a few years ago at MOCA during their Ecstasy show. That exhibit in general changed the way I viewed art. But it was his paintings that changed the way I made art. His style of painting helped me to create my series of black velvet paintings of the Chapman Donors. I also love Robert Rauschenberg, for his bravery and boldness with different materials. He was able to take items that no one thought had any art potential and turn them into masterpieces. I look to his work for ways to be brave with the usage of my own materials. Elizabeth McGrath is a contemporary sculptor and painter whose works have a kind of a Tim Burton lowbrow feel that I really enjoy. I saw her artwork a while back at the LA gallery La Luz De Jesus; a gallery known for showing kitschy low brow artwork. All of her pieces have this sort of tragic dark humor that I find really fascinating.
5. Who is your target audience?
People with a sense of humor.
6. How would you describe your art to people?
Traditional classical art with a lowbrow, kitsch twist.
7. What is a typical day of work look like for you?
I don’t really have a “typical day.” Each one varies, but as of right now I spend most of my time with my family and helping out at the Orange County Museum of Art. And of course creating my own art. Most of my art is made at night. I’m a bit of an insomniac, so it works out better that way.
8. What are your favorite tools of the trade? Mediums, supplies, etc.
I really like painting on velvet so being able to find good quality fabric is really important, and its even better when multiple colors are involved. Honestly though I love going to the art store in general and stocking up on all kinds of paints, pens, pencils, inks, ect. I also build my own canvases so I make many frequent trips to Home Depot to buy nails and wood.
9. What is the biggest piece of advice you would give to an artist that’s just starting out?
It didn’t take me long to realize that making connections is huge in the art world, I highly recommend that you start going to as many art events and gallery openings as you can. Its a fun way to get great art ideas and see what the art world is like. Don’t be afraid to talk to people there; meeting people who are involved and interested in the arts is one of the most beneficial things you can do. You not only gain valuable connections from this but you are able to find and meet up with people who have the same passion and excitement for art as you do. There are a lot of really great galleries and art walk events located in Orange County, you might as well take advantage of them.
10. Finally, where can we see your work?
I’ve just posted an online portfolio that has not only my velvet pieces but other works that I have done as well. This can be found on the blog that I keep, lamialarkin.blogspot.com which has updates about my work and local art events. You can also see the Flashing Nipple Happening by Mary Kelly that I was involved in at the Orange County Museum of Art, it will be up until March 15th.
Lamia Larkin will be joining OC Arts & Culture as a contributor. You can also follow Lamia on Twitter.